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Go-Between

ebook
2 of 2 copies available
2 of 2 copies available
An all-too-realistic thriller about for-profit prisons, big-money politics, shady non-profits, the war on drugs—and the people who would kill to keep the system intact
Emily runs a successful bistro in Humboldt County, California, where she lives with her boyfriend, Jeff, a volunteer firefighter. A lot of her best customers are in the cannabis business, but so what? It’s true, firefighting isn’t really Jeff’s main job—that would be flying Humboldt’s finest weed to out-of-state customers. And sure, he isn’t really Emily’s boyfriend, more like the guy she’s stuck with by circumstance. Actually, his name is Danny, not Jeff, and Emily’s real name is Michelle Mason, although no one can ever know that. She’s on the run from her past—which has just caught up with her. Gary, an ex-CIA agent who got her and Danny into this whole mess, has just shown up in Humboldt County. Michelle should have killed him when she had the chance, but now she’s stuck playing Gary’s game—and if she loses, she or someone close to her will pay the ultimate price.
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    • Publisher's Weekly

      May 9, 2016
      Michelle Mason, the heroine of Brackmann’s brisk sequel to 2012’s Getaway, has rebuilt her life under an assumed name after a vacation in Mexico went bad. She owns a popular bistro in Arcata, a town in marijuana-rich Humboldt County, Calif., and lives with Jeff, her volunteer firefighter boyfriend, whose real name is Danny and who played a significant role in Getaway. Jeff moonlights by flying the finest cannabis to out-of-state customers until he’s arrested in Texas on federal drug trafficking charges. To get Jeff’s charges dropped, Michelle must work with their old nemesis, shady CIA agent Gary, who wants her to “babysit” Kaitlin O’Connor, a wealthy socialite. Kaitlin heads Safer America, a social welfare organization lobbying for “tough on crime” measures. Gary and his backers want Kaitlin, who drinks too much, to sober up and help defeat a Texas bill that would legalize marijuana for recreational use—and possibly open the door for similar legislation across the country. The edgy plot never lets up, touching on the war on drugs, for-profit prisons, and nefarious nonprofits. Agent: Katherine Fausset, Curtis Brown.

    • Library Journal

      June 15, 2016

      Michelle Mason and her boyfriend Danny have a past they'd like to forget--and for the most part, they have. Living in California's Humboldt County as Emily and Jeff, they've established honorable lives as a restaurant owner and volunteer firefighter, respectively. Emily is proud of her accomplishments, but Jeff hasn't adjusted as easily. After she simultaneously learns that Jeff has been arrested for drug trafficking and receives a visit from an ex-CIA contractor-turned-bad guy Gary, Emily soon abandons her restaurant, reassumes her real identity as Michelle, and begins juggling Jeff/Danny's legal situation and a new undercover assignment that Gary had blackmailed her into carrying out. Michelle ingratiates herself as the assistant to the founder of a charity organization. She doesn't know what Gary is up to, but she knows he can't be trusted. Michelle must decide what she values most--her new boss's safety, her boyfriend's release from prison, or her own freedom. In her fifth thriller (after Getaway), Brackmann has created a damaged but likable protagonist. Her prose is engaging, but the story line itself is anticlimactic. VERDICT Give this one to readers looking for character-driven suspense.--Vicki Briner, Westminster, CO

      Copyright 2016 Library Journal, LLC Used with permission.

    • Booklist

      June 1, 2016
      Here's Emily, young and pretty and successful. She owns a bistro north of San Francisco. Her boyfriend is a volunteer firefighter. But seven pages into the story, she nearly breaks his head when he surprises her. When a street crazy threatens, she goes at once into a stance that telegraphs the message, I'm not looking for trouble, but I'm ready. She's a former spook, and the plot fires up when her creepy old boss blackmails her into a babysitting job. She's to assist a wealthy Houston woman who heads a foundation supporting harsh penalties for drug offenders, and gradually Emily understands she's to let her boss know if the woman softens her stance. A trainload of money is being made in for-profit prisons, and Emily must help them keep it coming. The narrative that follows is most interested in the relationship between the two women, so readers should know that scenes do not build to thriller-style crises. That's saved for the ending, when we do learn what Emily can do when she is looking for trouble. Subtle but satisfying.(Reprinted with permission of Booklist, copyright 2016, American Library Association.)

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  • English

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