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Broken River

Audiobook
1 of 1 copy available
1 of 1 copy available
Karl, Eleanor, and their daughter, Irina, arrive from New York City in the wake of Karl's infidelity to start anew. Karl tries to stabilize his flailing art career. Eleanor, a successful commercial novelist, eagerly pivots in a new creative direction. Meanwhile, twelve-year-old Irina becomes obsessed with the brutal murders that occurred in the house years earlier. And, secretly, so does her mother. As the ensemble cast grows to include Louis, a hapless salesman in a carpet warehouse who is haunted by his past, and Sam, a young woman newly reunited with her jailbird brother, the seemingly unrelated crime that opened the story becomes ominously relevant. Hovering over all this activity looms a gradually awakening narrative consciousness that watches these characters lie to themselves and each other, unleashing forces that none of them could have anticipated and that put them in mortal danger. Broken River is a cinematic, darkly comic, and sui generis psychological thriller that could only have been written by J. Robert Lennon.
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    • Publisher's Weekly

      June 26, 2017
      An omniscient, objective narrative viewpoint—the Observer—floats ethereally through Lennon’s psychological thriller, highlighting the actions, thoughts, and backstories of the numerous characters and offering hints about their futures. Voice actor Huber employs a semi-hushed, mellow voice for the ghostly figure, who focuses primarily on the protagonist, a novelist named Eleanor and her unsuccessful sculptor husband Karl, who, hoping to mend their marriage, have moved from Brooklyn to Broken River, N.Y., with their 12-year-old daughter, Irina. Soon after the precocious Irina discovers that her new house was the scene of a savage murder 10 years ago, she becomes obsessed with the unsolved crime. The Observer’s interest shifts from chapters involving these characters to those in which two of the original perpetrators, the unhappy, guilt-ridden Louis and Joe, a hulking brute who enjoys killing, respond to the new interest in their crime. Huber adds an angry edge to Eleanor’s speech and a slow, hipster stoner vibe to Karl’s conversation, while Irina is on a continuous youthful emotional roller coaster. The pathetic Louis spends his time either bemoaning his life’s mistakes or obeying Joe’s grunting monosyllabic demands. When they and their potential victims face off, Huber performs the scene as shocking and suspenseful, no small task from the Observer’s more detached perspective. A Graywolf paperback.

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Languages

  • English

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